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Flock and Shadow: New and Selected Poems New Rivers Press
ISBN 0-89823-227-9 A Book Sense Spring 2006 Published October 2005
www.newriverspress.com
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From Several Kinds of Privacy The salt marsh whispered in the rising tide and brisk wind of late fall, as afternoon grained into dusk and then real dark before day should have ended. Walking home from school, I wanted to linger at the edge of that marsh and listen for the small birds nesting in the matted grass just beyond the tide. I loved the sound of wind through the high-tide grasses. I loved the funky salt and oil-smelling water, and although I yearned to stay, to listen to the evening, I turned and headed home, down the unlit street, through the remnant woods, singing softly as I walked....
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Swimmer Dreams Turning Point Winner of the Tales Prize Published in 2005 ISBN
www.turningpointbooks.com |
From Planting The House This man and his wife, happily married for over thirty years, planted a garden of herbs and berries and hummingbird flowers down the middle of the mattress of their raft-size bed. At night they slept amidst the vines and flowers ||and let night creatures crawl across their bodies. They let the garden spread; they wanted to see whether it would cover their mattress and extend
to the floor,
to the walls of their room, whether |
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Stationary Wind March Street Press
Published in 2004 ISBN 0-9745909-0-8 |
Trees Filled With Hair
Then someone built a new kind
of tree
That tree grew anywhere; that
tree had leaves
Birds that were new to our
region began
So we closed up the house,
and we told each other stories |
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Behind Our Memories Adastra Press
Published in 2003 ISBN 0-938566-93-8 |
From Behind Our Memories
When doctors cut open this
old man to fix his heart And when
they dug deeper they found not just |
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The Point of Touching John LeBow, Bookseller Published in 2002 26 pages |
The Point of Touching One night, long after the children and I had fallen asleep, my wife lit candles in every room of our house, took off her clothes, and went outside, naked, to sketch charcoal impressions of the candle-glowing house full of sleepers and light she loved. And then she took a scissors and cut a lock of hair from each of us—me, our children, herself—and buried our hair at the drip line of our gumbo-limbo tree. She played her cello then, in our candle-lit living room, until dawn yawned at the windows, and then she blew out the candles, came to bed, and slept like a leaf flowing down stream, and slept like words in some forgotten language. When she woke, at noon, there was no one home to talk to, so she never told us anything—except in the way she touched me anywhere that evening, the way she kisses me some nights: with a yearning that makes me stop growing older for a few moments, reverses the direction of my blood, yes, and makes me glow. And that’s the point of touching, isn’t it? To make our bodies real? Things like that are sometimes closer than the world, closer than our words, closer even than ourselves. So other nights I stay up beyond anyone, pacing the sidewalk like the good husband I am, back and forth, back and forth—until I finally wear away and vanish, like light itself, like life, or like fragrance from the drowsy flowers growing butterflies and honey bees, growing webs and brighter hues around our gumbo-limbo tree. |
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Greatest Hits: 1987-2001 Pudding House Publications ISBN 1-58998-097-2 Published
in 2002 |
Modern Dance
He listened to his wife move around
the house |
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Singing with My Father March Street Press
Published in 2001 ISBN 1-882983-66-1 |
From Many
summers, around mid-July, |
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Sleeping with the Lights on Published in 2000 ISBN 1-930755-06-6 |
The Longest Train in the World The longest train in the world takes all night to pass. It is full of oddly-shaped boxes and cattle lowing at the moon. Commuters in their cars, heading home from work, are backed up to the horizon, miles beyond miles. The train moves slowly. You wonder who she is who sits in the car beside you, swaying back and forth to music from the radio. So you slide over into the passenger seat, open your window, and lean out: Excuse me, would you like to come into my car and talk, I think we might be here awhile. Smiling, she obliges. And soon the train appears to be a river and your car seems exquisitely comfortable; the full moon shines down on you, young lovers making music in the living dark, smelling each other up and down, making the air inside your old car thick with funk and deepest body oils. And when the longest train has passed, finally, you step out into the morning and walk hand in hand, half-dressed, hardly talking, abandoning your cars to the middle of the road, abandoning the narratives your lives have written up till now. |
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Many Simple Things March Street Press
Published in 1997 ISBN 1-882983-37-8
www.marchstreetpress.com
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From
I came home one day and found our bed had vanished. |
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Immaculate Bright Rooms March Street Press Published in 1994 ISBN 1-882983-15-7 39 Pages, $6
www.marchstreetpress.com
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From
when the moon is a knuckle in the dark, I kiss
and walk out beyond the dens
past-life misogynists, sock-smellers, phosphorous,
spider-web wound-staunchers, reed blowers, musicians
stories which feel themselves vanishing, uncles |
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A Small Boat ISBN 0-8130-1015-2 Published in 1990 56 Pages, $ |
Cocoon
In a town at the base of a hill, hidden |
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Looking Out Out of Print |
Summer Rain
Today you drifted away as though
Because I was looking
he was beyond help, and by
and I thought: Why gesture and look like a fool, |
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